William Eggleston, William Eggleston The Democratic Forest Selected Works (Hand signed), 2016

William Eggleston

William Eggleston The Democratic Forest Selected Works (Hand signed), 2016

Hardback monograph (hand signed by William Eggleston)

Hand signed by William Eggleston for the present owner

12 × 12 1/2 × 1/2 inches

Provenance: Signed for the present owner at Book signing: David Zwirner - October 22, 2016 (see attached information about book signing event)

Hardcover with dust jacket First Edition David Zwirner Books STEIDL, 2016. 120 pages.

Publisher's Synopsis:
Eggleston has said, “I am at war with the obvious.” His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York—the first presentation of color photography at the museum—heralded an important moment in the medium's acceptance within the art-historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, and Walker Evans.

Published on the occasion of David Zwirner’s New York exhibition of selections from The Democratic Forest in the fall of 2016, this new catalogue highlights over sixty exceptional images from Eggleston’s epic project. His photography is “democratic” in its resistance to hierarchy where, as noted by the artist, “no particular subject is more or less important than another.”

Featuring original scholarship by Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston’s photographic practice.

Synopsis:

Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. Eggleston has said, “I am at war with the obvious.” His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York—the first presentation of color photography at the museum—heralded an important moment in the medium's acceptance within the art-historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, and Walker Evans. Published on the occasion of David Zwirner's New York exhibition of selections from The Democratic Forest in the fall of 2016, this new catalogue highlights over sixty exceptional images from Eggleston's epic project. His photography is “democratic” in its resistance to hierarchy where, as noted by the artist, “no particular subject is more or less important than another.” Featuring original scholarship by Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston's photographic practice.

About the Artist:
William Eggleston was born in 1939 in Memphis, Tennessee, and grew up in the Mississippi Delta. He has lived in Memphis for the majority of his life. Since the 1970s, Eggleston’s work has been the subject of solo exhibitions at prominent institutions worldwide and work by the artist is held in major international museums. In 1975, he received a National Endowment for the Arts Fellowship and since then has been the recipient of numerous notable awards, including the University of Memphis Distinguished Achievement Award (1996); Hasselblad Foundation International Award in Photography (1998); International Center of Photography Infinity Award for Lifetime Achievement (2004); Getty Images Lifetime Achievement Award (2004); and the Chevalier de l’Ordre des Arts et des Lettres, Ministère de la Culture et de la Communication, République Française (Order of Arts and Letters of the French Republic) (2016).

Review:
... for all the changes to the working class, Eggleston’s unbiased and unencumbered photographic vision of the country has stayed so fixedly relevant, and few others have come close to touching him. (Alexandra Pechman W Magazine)