Art Card - Peter Blake - Flora (Fairy Child) - Hand Signed by Peter Blake, 1977

Art Card - Peter Blake - Flora (Fairy Child) - Hand Signed by Peter Blake, 1977

Peter Blake
Offset lithograph card
Hand signed and inscribed to renowned autograph collector Tom Grafton
This image is a reproduction of the 1977 oil painting Flora (Fairy Child) by British pop artist Peter Blake
The portrait is based on a photograph from a fashion magazine and is part of a series of "fairy girl" portraits created by the artist.
The original artwork is an oil on board painting and often features on the covers of Virago Modern Classics editions.
This work has been elegantly floated in a museum quality white wood frame under UV plexiglass.
Measurements:
Framed:
13 inches (vertical) by 11.25 inches (horizontal) by 1.5 inches
Signed and inscribed art card:
6 inches (vertical) by 4 inches (horizontal)
Provenance: Estate of Tom Grafton, one of the foremost autograph collectors in the 1970s-1990s.
Peter Blake Biography:
Born in Dartford, Kent in 1932, Peter Blake was a leading figure of the British Pop scene in the 1960s. Living and working in London today, Blake continues pushing the boundaries of what—and whom—this predominantly New York-based movement could include.

After completing his national service with the Royal Air Force in 1953, Blake enrolled at the Royal College of Art. There, he studied alongside other leading figures based in London, such as David Hockney, R.B. Kitaj, and Joe Tilson. After graduating, the artist began mining mass media and advertising imagery to create homages to the specific genre of popular culture present in Britain. For example, a long-time aficionado of wrestling, Blake not only painted portraits of his favorite athletes, but also collected posters, dolls, photographs, and various dioramas of fighters engaged in combat. He is perhaps most well known for creating the iconic cover of The Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. In both early and mature work, the spirit of a vanguard artist—whose collages, paintings, and assemblages remain amongst the most celebrated of our time—is easily visible.

Throughout his career, Blake has been the subject of 56 solo exhibitions, including ten at Waddington Custot Gallery (1969, 1972, 1977, 1978, 1990, 2005, 2010, 2012, 2015, 2016, 2018, London), four at Galerie Claude Bernard (1984, 1995, 2009, 2016, Paris) and three at Wetterling Gallery (1990, 2006, 2012, 2016, Gothenburg and Stockholm). In 1983, Tate Gallery mounted Blake’s first career retrospective which travelled on to the Kestner Gessellschaft in Hanover. In 2007, the Tate Liverpool presented a second retrospective of Blake’s work which would tour on to the Museo de Bellas Artes de Bilbao.
Peter Blake’s work has been featured in many landmark museum exhibitions, such as: British Art Today (1962-1963, San Francisco Museum of Art; 1963, Dallas Museum of Contemporary Art, Santa Barbara Museum of Art), London: The New Scene (1965, Walker Art Center, Minneapolis, Washington Gallery of Modern Art; Institute of Contemporary Art, Boston; Seattle Art Museum Pavillion; Vancouver Art Gallery; Art Gallery of Toronto; National Gallery of Canada, Ottowa), British Drawings: The New Generation (1967, Museum of Modern Art, New York), European Painting in the 70s (1975-1976, Los Angeles County Museum of Art; 1976, St. Louis Art Museum; Elvehjem Art Center, Madison, Wisconsin), Forty Years of Modern Art (1986, Tate Gallery, London) and Revolution: Art of the Sixties from Warhol to Beuys (1995, Museum of Contemporary Art, Tokyo).

Most recently, Blake’s work appeared in Pop to Popism (2014, Australia’s Art Gallery of New South Wales), International Pop, (2015–2016, Walker Art Center, Dallas Museum of Art, Philadelphia Museum of Art) and POP! Art in a Changing Britain (2018, Pallant House Gallery, Chicester)