null
lock plus

An Educated Collector is Our Best Client

In business for nearly two decades, we are a well established, popular contemporary art boutique specializing in expertly chosen, blue chip prints, multiples, uniques, books, ephemera and merchandise at different price points, with a focus on the secondary market. Please click on the "Contact Us" button at the bottom of this page for questions about any work, pricing and/or to arrange to visit our showroom/gallery - located in between Manhattan's Flatiron and Chelsea Flower Districts.  


William Kentridge, Carnets D'Egypte (hand signed and dated by William Kentridge), 2011

William Kentridge

CONTACT GALLERY FOR PRICE

Current Stock: 1

Description

William Kentridge

Carnets D'Egypte (hand signed and dated by William Kentridge), 2011

Hardback monograph with no dust jacket as issued (hand signed by William Kentridge)

Boldly signed and dated "May 2011" on the title page by William Kentridge

7 × 9 × 1/2 inches

Signed in black marker for the present owner at "William Kentridge: Other Faces" in Marian Goodman Gallery on May 6th, 2011.

Publisher's blurb:
Carnets D'Egypte is William Kentridge's multimedia excavation of one of his favorite subjects: ancient Egypt. "Egypt has to be both believed and disbelieved at the same time," he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he approaches this intermingling, and attendant questions of orientalism, in works that draw on western traditions of depicting Egypt, by such artists as Carracci, Delacroix, Le Brun, Poussin and Degas. In a scrapbook dossier composed of charcoal and pen-and-ink drawings, collages, animated films and performance pieces, Kentridge investigates such mythically proportioned Egyptian roles as the scribe, the architect and the artist, often inserting himself into the dialogue as a visible presence. This beautifully made book, which includes a DVD with three films, affirms Kentridge at his eclectic and erudite best.

Book information:
Publisher: ‎ Editions Dilecta/Editions du Musée du Louvre, (February 28, 2011)
English, Hardcover, 80 pages with 85 color illustrations

About William Kentridge:
William Kentridge was born in 1955 in Johannesburg, South Africa where he currently lives and works. Often drawing from socio-political conditions in post-apartheid South Africa, William Kentridge’s work takes on a form that is expressionist in nature. For Kentridge, the process of recording history is constructed from reconfigured fragments to arrive at a provisional understanding of the past—this act of recording, dismembering and reordering crosses over into an essential activity of the studio. His work spans a diverse range of artistic media such as drawing, performance, film, printmaking, sculpture and painting. Kentridge has also directed a number of acclaimed operas and theatrical productions.

Kentridge is the recipient of honorary doctorates from several universities including Yale and the University of London. In 2012 he presented the Charles Eliot Norton lectures at Harvard University. In 2013 he served as Humanitas Visiting Professor in Contemporary Art at Oxford University, and Distinguished Visiting Humanist at the University of Rochester, New York, and in 2015 he was appointed an Honorary Academician of the Royal Academy in London. In 2017 he received the Princesa de Asturias Award for the Arts, Spain, in 2018, the Antonio Feltrinelli International Prize, Italy, in 2021 the Ruth Baumgarte Art Prize, Hanover, and in 2023 the Olivier Award for Outstanding Achievement in Opera, London. Previous awards include the Kyoto Prize, Japan (2010), the Oskar Kokoschka Award, Vienna (2008), the Kaiserring Prize (2003), and the Sharjah Biennial 6 Prize (2003), among others.

Recent major exhibitions of his work have been shown at MFA Houston, Texas (2023); The Broad Museum, Los Angeles (2022); the Royal Academy, London (2022); Kunstmuseum Basel, Switzerland (2019); and a traveling show which opened at the Whitechapel Gallery, London in 2016 and travelled to subsequent venues, including the Louisiana Museum, Copenhagen, Denmark and the Museum der Moderne, Salzburg (2017). In 2016 his 500 meter frieze Triumphs and Laments was presented along the banks of the Tiber River in Rome. Notes Towards a Model Opera, shown at the Ullens Center in Beijing, China (2015) travelled as Peripheral Thinking to The National Museum of Modern and Contemporary Art, Seoul (2016). A major traveling exhibition, Fortuna, toured multiple venues in Latin America from 2012-2015. Kentridge has participated in Documenta (2012, 2002, 1997) as well as the Venice Biennale (2015, 2005, 1999 and 1993).

Courtesy of Marian Goodman Gallery

Provenance
Signed for the present owner at "William Kentridge: Other Faces" in Marian Goodman Gallery on May 6th, 2011 (See photos)

Measurements

Height:   7.00
Width:   9.00
Depth:   0.50