An Educated Collector is Our Best Client
In business for nearly two decades, we are a well established, popular contemporary art boutique specializing in expertly chosen, blue chip prints, multiples, uniques, books, ephemera and merchandise at different price points, with a focus on the secondary market. Please click on the "Contact Us" button at the bottom of this page for questions about any work, pricing and/or to arrange to visit our showroom/gallery - located in between Manhattan's Flatiron and Chelsea Flower Districts.
Marcel Duchamp, Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961
CONTACT GALLERY FOR PRICE
Description
Marcel Duchamp
Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961
Silkscreen in colors
Hand signed in ink pen and annotated with the dateline "Stockholm 1961" by Marcel Duchamp on the front
Frame included
Silkscreen in colors, 1961, signed in ball-point pen by Marcel Duchamp, dated, inscribed 'Stockholm' and stamp-numbered 60/125 on the front, published on the occasion of the exhibition Rörelse i Konsten (“Art in Motion”) at the Moderna Museet, Stockholm.
Framed in a museum quality wood frame with UV plexiglass, and bearing the original Lee Hoffman gallery label verso.
This is from the original 1961 hand signed and annotated limited edition, separate from later museum reprints and stamped editions.
Measurements:
Frame:
16.5 x 24 x 2 inches
Print:
12.75 x 20 inches
Catalogue Raissone reference: Schwartz 446C
(hand signed and annotated with the dateline "Stockholm 1961) by Marcel Duchamp)
Provenance:
Lee Hoffman Gallery, Birmingham Michigan (with original label)
About Marcel Duchamp:
Henri-Robert-Marcel Duchamp (28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal", intended only to please the eye. Instead, he wanted to use art to serve the mind.