Ed Baynard, Blue Vase on Antique Paper, 2002

Ed Baynard

Blue Vase on Antique Paper, 2002

Pochoir and relief in colors on vintage handmade paper

Signed, dated and numbered lower right ‘AP 3/4 Ed Baynard 02’. This work is artist's proof 3 of 4 apart from the edition of 20

Frame included

Pochoir and relief in colors on vintage handmade paper
Signed, dated and numbered lower right ‘AP 3/4 Ed Baynard 02’. This work is artist's proof 3 of 4 apart from the edition of 20
Published by PACE Editions, Inc. (with label verso)
Elegantly floated and framed in a wood frame under UV plexiglass
Measurements:
Framed
26 inches (vertical) by 22 inches (horizontal) by 1.5 inches
Artwork
24 inches by 19 inches

MORE ABOUT ED BAYNARD
Ed Baynard’s (1940-2016) oeuvre as a painter and draftsperson is deeply idiosyncratic and yet hyper-sharp. Raised in Washington DC, Baynard lived in Paris and London during the 1960s before returning to the United States, where his first solo exhibition took place in 1971 Willard Gallery, New York, upon the recommendation of Agnes Martin. Establishing a remarkably restrained artistic vernacular, Baynard found great room for an intense exploration of style that expanded across hundreds of paintings and drawings of ceramics, flowers, nature, and people, unremitting until his death in 2016. beyond his practice as a painter, Baynard had been a graphic designer for The Beatles, a clothing designer for Jimi Hendrix, and appeared in Jack Smith's cult film Flaming Creatures (1963). Ed Baynard (1940-2016) rose to prominence as an artist in the 1970s, marked by solo exhibitions with galleries including Willard Gallery (1971), Betty Parsons (1973), Marian Goodman (1977), and Barbara Gladstone in New York (1980/81); as well as John Berggruen in San Francisco (1980). Baynard’s work is held in the permanent collections of The Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Whitney Museum of American Art, New York; National Gallery of Art, Washington DC; Philadelphia Museum of Art, Philadelphia; Walker Art Center, Minneapolis; High Museum, Atlanta; Victoria and Albert Museum, London; Tate Galleries, London; Australian National Gallery; and The Center for Contemporary Graphic Art, Fukushima, Japan. Most recently, in 2019 Baynard’s work was celebrated in an acclaimed solo exhibition held at White Columns, New York, co-curated by Matthew Higgs and Vince Aletti.