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Christo and Jeanne-Claude, The Pont Neuf Wrapped, Paris, France (Hand Signed) from the collection of Jeanne-Claude's assistant, 1985

Christo (Christo and Jeanne Claude)

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Description

Christo and Jeanne Claude
The Pont Neuf Wrapped, Paris, France (Hand Signed) from the collection of Jeanne-Claude's assistant, 1985
Offset lithograph postcard. Hand signed. Unframed.
5 7/10 × 4 1/10 × 1/10 in
14.5 × 10.4 × 0.3 cm

This is a rare, hand signed mid 1980s offset lithograph postcard. Authenticity guaranteed; excellent provenance: this was acquired directly from Jeanne-Claude's former assistant and book collaborator, who received it from the artist.

ABOUT THE PONT NEUF WRAPPED PROJECT:

"Spanning the Seine River and crossing the western tip of the Ile de la Cité, Pont Neuf is Paris’s oldest bridge and one of its most historically important monuments. “I wanted to transform it, to turn it from an architectural object, an object of inspiration for artists, to an art object, period,” Christo told Le Figaro in 1985. To do this, he planned to wrap the entire structure in plastic fabric, creating a bizarre and distinctly modern illusion in the most ancient part of Paris.

Beautifully simple though the idea was, its execution would be anything but. Christo and Jeanne-Claude had worked with historical buildings before, but had never approached one that was both an icon of a major city and a busy public thoroughfare. This did not deter them, and in 1975, they began raising funds for their first big project in the French capital since 1962. This time, however, it was clear they would need permission from a dizzying number of different administrative bodies. After nearly a decade of negotiations, the project was completed in September 1985 to a sensational response, making Christo (if not Jeanne-Claude) one of the most famous artists in the world..." - Wiki
On September 22, 1985, a group of 300 professional workers completed the temporary work of art The Pont Neuf Wrapped. They had deployed 450,000 square feet (41,800 square meters) of woven polyamide fabric, silky in appearance and golden sandstone in color, covering:

The sides and vaults of the twelve arches, without hindering river traffic.
The parapets down to the ground.
The sidewalks and curbs (pedestrians walked on the fabric).
All the street lamps on both sides of the bridge.
The vertical part of the embankment of the western tip of the Île de la Cité.
The Esplanade of the Vert-Galant.
The fabric was restrained by 8 miles (13 kilometers) of rope and secured by 12.1 tons of steel chains encircling the base of each tower, 3.3 feet (1 meter) underwater.

The Charpentiers de Paris headed by Gérard Moulin, with French sub-contractors, were assisted by the USA engineers who had worked on Christo and Jeanne-Claude's previous projects, under the direction of Theodore Dougherty: Vahé Aprahamian, August L. Huber, James Fuller, John Thomson and Dimiter Zagoroff. Johannes Schaub, the project's director had submitted the work method and detailed plans and received approval for the project from the authorities of the City of Paris, the Department of the Seine and the State. 600 monitors, in crews of 40, led by Simon Chaput, were working around the clock maintaining the project and giving information, until the removal of the project on October 7.

All expenses for The Pont Neuf Wrapped were borne by the artists as in their other projects through the sale of preparatory drawings and collages as well as earlier works. The artists do not accept sponsorship of any kind.

Begun under Henri III, the Pont-Neuf was completed in July 1606, during the reign of Henry IV. No other bridge in Paris offers such topographical and visual variety, today as in the past. From 1578 to 1890, the Pont-Neuf underwent continual changes and additions of the most extravagant sort, such as the construction of shops on the bridge under Soufflot, the building, demolition, rebuilding and once again demolition of the massive rococo structure which housed the Samaritaine's water pump.

Wrapping the Pont-Neuf continued this tradition of successive metamorphoses by a new sculptural dimension and transformed it, for 14 days, into a work of art. Ropes held down the fabric to the bridge's surface and maintained the principal shapes, accentuating relief while emphasizing proportions and details of the Pont-Neuf, which has joined the left and right banks and the Île de la Cité, the heart of Paris, for over 400 years.

 

Measurements

Height:   5.70
Width:   4.10