Sol LeWitt, ALL ONE, TWO, THREE AND FOUR PART COMBINATIONS OF LINES IN FOUR DIRECTIONS AND FOUR COLORS, EACH WITHIN A SQUARE, 1983

Sol LeWitt, ALL ONE, TWO, THREE AND FOUR PART COMBINATIONS OF LINES IN FOUR DIRECTIONS AND FOUR COLORS, EACH WITHIN A SQUARE, 1983

Sol Lewitt
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Sol LeWitt

ALL ONE, TWO, THREE AND FOUR PART COMBINATIONS OF LINES IN FOUR DIRECTIONS AND FOUR COLORS, EACH WITHIN A SQUARE, 1983

Silkscreen on ARCHES® 88 Paper (Signed/Numbered/Dated) - Framed
40 × 30 in
101.6 × 76.2 cm
Edition of 100
 
NOT to be confused with the unsigned Paris Review poster that itself sells for $2500 USD and up. This is the rare, highly desirable limited edition Signed, Numbered silkscreen with text. The terrific 1980s pencil signed and numbered Sol Lewitt silkscreen, with gorgeous pastel squares and bearing the text "Paris Review", was part of a series of prints created over the years by renowned artists, including Andy Warhol, Helen Frankenthaler, Christo, Willem de Kooning, Louise Bourgeois, Alex Katz and others who were commissioned to create works to raise funds for the Paris Review literary publication. The Paris Review originally sold this work back in 1983 for US $5,000. It sold out long ago. Many galleries have priced this work notably higher in the intervening three decades. We have not. (NOTE: This signed, limited edition work is NOT to be confused with the unsigned Sol Lewitt poster of the same title, that was created in an open (unsigned) edition during the same era for the Paris Review, and regularly sells at various poster auction sites for up to $1000.)
This work in an elegant white frame with matting and ready to hang.
Measurements:
Image Size: 28¾ x 28¾ inches (73.0 x 73.0 cm)
Paper Size: 40 x 30 inches (101.6 x 76.2 cm)
Framed: 40.5 inches x 30.5 inches
Publisher: The Paris Review, New York
Printer: Jo Wantanabe, New York, New York
Catalogue Raisonne Reference: Krakow, 1983.10, Previously catalogued as S-42
 

Signature: Signed in pencil and numbered from the edition of only 100 on the recto (front). Framed.

Publisher: The Paris Review, New York, publisher; Jo Wantanabe, New York, New York, Printer

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