
KAWS, Gone, 2019 Limited Edition Hardback Monograph Illustrated in color with custom fluorescents
KAWS
Gone, 2019
Published on the occasion of the exhibition KAWS: GONE at Skarstedt, New York, this catalogue features full plate images, details, and installation photographs, with custom fluorescent printing throughout. 98 pages with cloth boards and no dust jacket as issued. Last end page expressly states that this was published in a limited edition of only 1500
GONE is the artist’s inaugural show upon joining Skarstedt Gallery, debuting four large-scale bronze sculptures, and a series of new paintings. Ranging from 6ft. to 8ft. tall, KAWS’s bronze figures command moments of careful contemplation, yet comfort viewers with their visual familiarity. New insights to KAWS’s ideology also reveal themselves in the curation of paintings, which, unique to this body of work, feature a slightly different color palette – viewers are brought to exalt in rich earthy tones: deep green, burgundy, moss, teal, and pops of neon yellow. Experiencing GONE offers endless parallels that one can draw between the paintings and bronzes; moments of witnessing and hiding, moments of bravery and resignation, and the subsequent paradox of emotions.
Description
KAWS
Gone, 2019
Published on the occasion of the exhibition KAWS: GONE at Skarstedt, New York, this catalogue features full plate images, details, and installation photographs, with custom fluorescent printing throughout. 98 pages with cloth boards and no dust jacket as issued. Last end page expressly states that this was published in a limited edition of only 1500
GONE is the artist’s inaugural show upon joining Skarstedt Gallery, debuting four large-scale bronze sculptures, and a series of new paintings. Ranging from 6ft. to 8ft. tall, KAWS’s bronze figures command moments of careful contemplation, yet comfort viewers with their visual familiarity. New insights to KAWS’s ideology also reveal themselves in the curation of paintings, which, unique to this body of work, feature a slightly different color palette – viewers are brought to exalt in rich earthy tones: deep green, burgundy, moss, teal, and pops of neon yellow. Experiencing GONE offers endless parallels that one can draw between the paintings and bronzes; moments of witnessing and hiding, moments of bravery and resignation, and the subsequent paradox of emotions.