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ALPHA 137 GALLERY
ALPHA 137 GALLERY
Description
Signed, titled, dated and numbered 43/100 in graphite pencil on the front
With this 1993 work, Elizabeth Catlett reinterprets her eponymous 1970 linocut.
This work was exhibited by Gallery 511 in collaboration with Hirschl & Adler in New York City in an exhibition entitled "The Masters" (October 18 to December 1, 2011). ("The Masters" was a scholarly exhibition about former Art Students Leagues students and their professors. Catlett studied lithography at the Arts Students League).
Other examples of this work are in the permanent collections of major museums and institutions like the National Museum of African American History and Culture, the RISD Art Museum and others.
It is elegantly floated and framed in a dark wood hand made museum frame with UV conservation plexiglass.
Measurements
Framed:
40 inches vertical by 26.5 inches horizontal by 1.75 inches
Artwork:
37.5 inches vertical by 23.5 inches horizontal
Here's what the Studio Museum in Harlem says about the original Panthers work:
Printmaker and sculptor Elizabeth Catlett is known for her social realist portraits of Black figures. Her work spans both famous subjects, such as Harriet Tubman and Malcolm X, and anonymous workers. Homage to the Panthers includes symbols and styles of Black Power that were central to the aesthetic of the Black Panther Party: raised Black fists, Afros, leather jackets, and black berets. The gun at the bottom of the image alludes to one of the Panthers’ core programs: an armed citizen watch force, created to monitor police presence in their communities in an effort to eliminate police brutality.
Exhibition History:
"The Masters" (October 18 to December 1, 2011), Gallery 511 in collaboration with Hirschl & Adler in New York City (former students and professors of the Art Students League)
A Changing America: 1968 and Beyond, National Museum of African American History and Culture