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Frank Stella, SHARDS VARIANT IVa (Exhibited at the Whitney with original Whitney Museum Label) - Framed, 1982

email: info@alpha137gallery.com or Nrwitkin@aol.com for price
Weight:
10.00 LBS
Quantity:

Product Description

Frank Stella (American, b.1936)

Shards Variant IVa , 1982
Mixed Media Work:
Lithograph, Serigraph / Screenprint, Arches Cover Paper
45.5 x 39.25 inches
 
UNIQUE OPPORTUNITY TO ACQUIRE WHITNEY EXHIBITED AND CATALOGUED FRANK STELLA WORK - WITH WHITNEY LABEL.
Hand signed and dated lower right
hand numbered lower left
bears Richard Gray Gallery label verso
bears Whitney Museum of Art label verso
Edition: 49
Publisher: St. Petersburg Press, New York
Unique opportunity
 
This is the very work that was featured at the monumental 1983 print retrospective at the Whitney Museum of 20th Century master artist-scholar Frank Stella. Amazing provenance and Whitney museum and Richard Gray gallery labels. This work is also listed in the catalogue that accompanied this historic Stella museum retrospective. 
 
This is a one-off opportunity. We have not found any another Stella print from that Whitney museum exhibition come to market. This is especially historic as it was from his first Whitney Museum print retrospective -- at the old building before the Whitney moved to the meat packing district downtown. This is an extremely valuable piece with unique and important provenance. Good luck finding something comparable.

A magnificent multi color lithograph and screenprint with superb provenance as this very piece was exhibited by the Richard Gray Gallery as well as the Whitney Museum of American Art in the early 1980s for its much touted print retrospective: "Frank Stella Prints 1967-1982".

This screenprint and offset litograph was made in 44 runs from 37 plates and 3 screens - same elements as Shards IV, with the addition of 11 plates and 2 screens. It is sold framed and measures 46 inches (vertical) by 40.5 inches (horizontal). The sheet itself measures 45.5 inches by 39.25 inches.

This work is fully referenced in the catalogue raisonne of Frank Stella's prints. (Axsom, Hudson Hills Press, 1983) as well as the Whitney exhibition catalogue.

Frank Stella (b.1936) combines many processes—lithography, screenprinting, etching, engraving, aquatint, relief, woodcut—in a rare oblong or elliptical format. As much known for his printmaking as his painting, Stella pushes the limits of the medium by crafting the beautiful handmade, dyed papers into three-dimensional sculptures. Frank Stella participated in several exhibitions that defined the 60s including the Guggenheim’s The Shaped Canvas (1964–65) and Systemic Painting (1966), and has had several major retrospectives in America, Europe, and Japan. Stella is one of the most important contemporary printmakers and his art reveals constant growth and change. After attending high school at Phillips Academy in Andover, Massachusetts, he went on to Princeton University, where he painted and majored in history. Stella’s art was recognized for its innovations before he was twenty-five. In 1959, several of his paintings were included in Sixteen Americans at the Museum of Modern Art in New York (1959–60), and Alfred Barr acquired one of his works for the Museum of Modern Art’s permanent collection. Stella joined dealer Leo Castelli’s stable of artists in 1959. He began his extended engagement with printmaking in the mid-1960s, working first with master printer Kenneth Tyler at Gemini G.E.L and in 1973 he had a print studio installed in his New York house. Stella’s work was included in several important exhibitions that defined 1960s art, among them the Solomon R. Guggenheim Museum’s The Shaped Canvas (1964–65) and Systemic Painting (1966). His art has been the subject of several retrospectives in the United States, Europe, and Japan. Among the many honors he has received was an invitation from Harvard University to give the Charles Eliot Norton lectures in 1983–84. He has received honorary degrees from Princeton University, Bezalel Academy in Jerusalem, Dartmouth College and the Friedrich Schiller University in Jena, Germany. In 1989 he received the Ordre des Arts et des Lettres from the French government. In 1992 he was awarded the Barnard Medal of Distinction. He was presented with the Gold Medal for Graphic Art award by the American Academy of Arts and Letters in 1998. In 2000 he became the only American artist to have been given a solo show at London’s Royal Academy of which he is a member. He was presented with the Gold Medal for Graphic Art award by the American Academy of Arts and Letters in 1998. Stella won the Gold Medal of the National Arts Club in New York (2001). In 2009 Stella was the recipient of the Julio Gonzalez Prize for Lifetime Achievement in Arts in Valencia, Spain and in the same year was awarded the National Medal of Arts by President Obama. In 2011, Stella was awarded a Lifetime Achievement Award by the International Sculpture Center, and has also just received a lifetime achievement award from the Royal Academy of Art in England.

Buyer will be delighted - and extremely lucky. I don't think this opportunity will come around again - at this price point...This work is large and framed and needs to be shipped or crated by professional art handlers.
(SHIPPING PRICE TBD)
 
Signed boldly on the front and numbered from the edition of 49
 
Provenance: 

Richard Gray Gallery
Whitney Museum, New York

 

Exhibition History: Exhibited at Frank Stella's Print Retrospective "Frank Stella Prints 1967-1982", Whitney Museum of American Art, New York City, 1983 (same work)

 

Literature: Whitney Museum of American Art in the early 1980s for its much touted print retrospective: "Frank Stella Prints 1967-1982".

 

Series: Shards

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